//// Inauguración de la Exposición Colectiva „Juntamos Mundos” en Galería La 77, en la cual he presentado algo de mi trabajo. Gracias al equipo de la 77, Cultura Colectiva Fantastico Cotidiano y demás personas que sin su ayuda esta exposición no hubiese sido posible. Y por supuesto, ¡Muchas gracias a todas las personas que nos han acompañado ese día!

//// Opening of the exhibition „Juntamos Mundos” in La 77 Gallery, in which I showed some of my work. Thanks to the teams of La 77, Cultura Colectiva, Fantástico Cotidiano, and those others that without their help this exhibition would have not been possible. And of course: Many thanks to all who have accompanied us that day!

Piezas Expuestas: l Exhibited Pieces:

a) Certes espécies de costums discrets II
Mixed Media l Técnica Mixta
25,5 x 33cm
2013

b) Certes espécies de costums discrets IV
Mixed Media l Técnica Mixta
25,5 x 33cm
2013

c) Certes espécies de costums discrets I
Mixed Media  l Técnica Mixta
25,5 x 33cm
2013

e) Glaube/Liebe/Tod
Miced Media l TécnicaMixta
35 x 42cm
2014

f) Aprés nous, le Déluge.
Mixed Media l TécnicaMixta
35 x 42cm
2014

//// Una artículo de Cultura Colectiva acerca de la próxima exposición colectiva de Galería „La 77” en la cual exhibiré obra. Muchas gracias a todo el staff por el apoyo constante

//// An article made by Cultura Colectiva about the upcoming collective exhibition of „La 77” Gallery which will feature my work. Thanks to all the staff for the constantly support.

..Le Poisson Frit” 
Illustration / Mixed MediaA5© Zael von Mazon2014
(dedicated to a dear friend)
// If you like it, you can order here a print or other fabulous stuff with this work! Thanks for the support!!! :)

..Le Poisson Frit” 

Illustration / Mixed Media
A5
© Zael von Mazon
2014

(dedicated to a dear friend)

// If you like it, you can order here a print or other fabulous stuff with this work! Thanks for the support!!! :)

Trading Cities 4 In Ersilia, to establish the relationships that sustain the city’s life, the inhabitants stretch strings from the corners of the houses, white or black or gray or black-and-white according to whether they mark a relationship of blood, of trade, authority, agency. When the strings become so numerous that you can no longer pass among them, the inhabitants leave: the houses are dismantled; only the strings and their supports remain. From a mountainside, camping with their household goods, Ersilia’s refugees look at the labyrinth of taut strings and poles that rise in the plain. That is the city of Ersilia still, and they are nothing. They rebuild Ersilia elsewhere. They weave a similar pattern of strings which they would like to be more complex and at the same time more regular than the other. Then they abandon it and take themselves and their houses still farther away. Thus, when traveling in the territory of Ersilia, you come upon the ruins of abandoned cities, without the walls which do not last, without the bones of the dead which the wind rolls away: spiderwebs of intricate relationships seeking a form. « Italo Calvino l Invisible Cities »

Trading Cities 4

In Ersilia, to establish the relationships that sustain the city’s life, the inhabitants stretch strings from the corners of the houses, white or black or gray or black-and-white according to whether they mark a relationship of blood, of trade, authority, agency. When the strings become so numerous that you can no longer pass among them, the inhabitants leave: the houses are dismantled; only the strings and their supports remain.

From a mountainside, camping with their household goods, Ersilia’s refugees look at the labyrinth of taut strings and poles that rise in the plain. That is the city of Ersilia still, and they are nothing.

They rebuild Ersilia elsewhere. They weave a similar pattern of strings which they would like to be more complex and at the same time more regular than the other. Then they abandon it and take themselves and their houses still farther away.

Thus, when traveling in the territory of Ersilia, you come upon the ruins of abandoned cities, without the walls which do not last, without the bones of the dead which the wind rolls away: spiderwebs of intricate relationships seeking a form.

« Italo Calvino l Invisible Cities »

..Certes espécies de costums discrets XII:  Era un perro sin ojos para llorar. / It was a dog without eyes to cry.”Graphic / Mixed Media 60 x 90 cm © Zael von Mazon 2014
// If you like it, you can order here a print or other fabulous stuff with this work! Thanks for the support!!! :)

..Certes espécies de costums discrets XII:
Era un perro sin ojos para llorar. / It was a dog without eyes to cry.”
Graphic / Mixed Media
60 x 90 cm
© Zael von Mazon
2014

// If you like it, you can order here a print or other fabulous stuff with this work! Thanks for the support!!! :)

// Próxima exposición colectiva en la que participo.  Todos quedan invitados.  // Next collective exhibition in which I participate.  Everyone are invited. Juntamos Mundos I Inauguración Sábado 27. Septiembre 2014 I 16:00 Hrs. Galería La 77 l J.García Icazbalceta No. 77. Colonia San Rafael,  Del. Cuauhtemoc, México D.F.

// Próxima exposición colectiva en la que participo.
Todos quedan invitados.
// Next collective exhibition in which I participate.
Everyone are invited.

Juntamos Mundos I Inauguración
Sábado 27. Septiembre 2014 I 16:00 Hrs.
Galería La 77 l J.García Icazbalceta No. 77. Colonia San Rafael,
Del. Cuauhtemoc, México D.F.